One of the singular characteristics of The Moonlight’s physical plant was its trapezoidal shape, something that worked to peculiar advantage in regards to acoustics. Short 90-degree zigzags of painted sheetrock yanked left and right through the space at large, in opposition to one continuous wall that sliced an oblique angle along the western side of the building. Those off-parallel surfaces (and some long-past-its-prime carpet) formed a space that gently tumbled high and low speaker frequencies into an especially pleasing mixture, so that pretty much every seat in the room was a good one—- a coincidental blessing, for which all of us were constantly grateful.
Thanks for Giving Moon
Thanks for Giving Moon
Thanks for Giving Moon
One of the singular characteristics of The Moonlight’s physical plant was its trapezoidal shape, something that worked to peculiar advantage in regards to acoustics. Short 90-degree zigzags of painted sheetrock yanked left and right through the space at large, in opposition to one continuous wall that sliced an oblique angle along the western side of the building. Those off-parallel surfaces (and some long-past-its-prime carpet) formed a space that gently tumbled high and low speaker frequencies into an especially pleasing mixture, so that pretty much every seat in the room was a good one—- a coincidental blessing, for which all of us were constantly grateful.